The “what” in “what you see is what you get” is not always “formatting”.
Authors need WYSIWYG (What You See is What You Get) displays to work effectively. This is basic ergonomics. If you can’t see the thing you are supposed to be creating, you will have a hard time creating it well.
But while authors always need WYSIWYG displays, the “what” that they need to see is not the same thing in every case. There can be several different values for the “what” in WYSIWYG.
The term WYSIWYG was coined to describe the displays of word processing and desktop publishing programs. In this case, the “what” was the formatting of the printed document. (At the time we were talking strictly about printing on paper. The “what” you saw on screen was the “what” that was going to appear on paper — more or less.)
This was a big step forward, but the step forward was not enabling people to do typesetting with computers. Doing typesetting with computers had been possible for a long time using a language called TeX, which is still used in some places today. But TeX, has never been widely used because while you can specify formatting with great precision in TeX, you can’t see the formatting that you are specifying as you work. You can only see it afterward when you run the file through the TeX program to create formatted output.
Make a mistake in your TeX markup, and your output may be garbled in ways that make it hard to find your error, and finding and fixing errors can be fiddly and tedious. Desktop publishing was a big step forward because it allowed people to see the formatting they were creating as they created it.
But formatting is not always the “what” in WYSIWYG. In Learning Python, Mark Lutz describes the syntax of the of the Python programming language as WYSIWYG.
Python is a WYSIWYG language — what you see is what you get — because the way code looks is the way it runs, regardless of who coded it.
Lutz, Mark (2013-06-12). Learning Python (p. 326). O’Reilly Media. Kindle Edition.
What he means in this case is that with Python, unlike most other programming languages, the indentation of the source code always shows the logical structure of the program. If formatted poorly, the indentation of code in a C or Java program can be completely misleading as to the actual structure of the code. Lutz provides this example:
if (x) if (y) statement1; else statement2;
Here the formatting of the code makes it appear as if the else statement belong to the first if statement, but it doesn’t. It actually belongs to the second if statement. The structure you see is not the structure you get. In Python, such confusion cannot occur. Lutz’ Python example looks like this:
if x: if y: statement1 else: statement2
In this case, the else does belong to the first if, as it appears. If it were indented under the second if, like this:
if x: if y: statement1 else: statement2
then the else would belong to the second if statement
In Python, the indentation of the source code determines the structure of the program, and thus the logical structure you see in the source is the actual structure you get in the program. Thus Lutz chooses the term WYSIWYG to describe the language. But in this usage of WYSIWYG, the “what” is not formatting, but structure.
In content engineering there are multiple possible “whats” you might want from a WYSIWYG display. Desktop publishing is based on the premise that the author is also the designer, the typesetter, and the prepress person, so the “what” is formatting. We can be more explicit about this by substituting the word “formatting” for the word “what” in the acronym: FYSIFYG (the Formatting You See Is the Formatting You Get). The desktop publishing approach requires a FYSIFYG display.
Before the days of desktop publishing, when authors were only required to worry about the text, and did not have to wear a dozen other hats, they got by with pens or with typewriters. Both these tools had a TYSITYG display: the Text You See Is the Text You Get.
Today, however, the increasing demand for malleable and repurposable content means neither TYSITYG not FYSIFYG will suffice. We need more than just the text, and something other than text plus formatting. We need structure. What we need to create structured content, therefore, is a SYSISUG display: the Structure You See Is the Structure You Get. Creating such a display, alas, has not been easy.
It might seem like a raw XML file is a SYSISUG display, because all the structure is there in the XML tags. Many XML editors that let you switch to a view of the raw XML will call this “the structure view”. The problem is, while the structure is there, it is not in the least easy to view. There is way too much syntactic noise in an XML file for the reader to easily discern the structure it expresses, as this chunk of the DocBook source for my book shows:
<chapter xmlns="http://docbook.org/ns/docbook" xmlns:xlink="http://www.w3.org/1999/xlink" version="5.0" xml:id="chapter.linkrichly"> <title>EPPO Topics Link Richly</title> <indexterm><primary>Weinberger, David</primary><secondary>on linking</secondary> </indexterm> <blockquote> <attribution>David Weinberger, <citetitle pubwork="book">Too big to know</citetitle> <biblioref linkend="TooBigToKnow"/></attribution> <para><indexterm class="startofrange" xml:id="idx.linking-1"><primary>linking</primary></indexterm>Links are the visible manifestation of the author giving up any claim to completeness or even sufficiency; links invite the reader to browse the network in which the work is enmeshed, an acknowledgement that thinking is something that we do together.</para> </blockquote>